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      <image:title>CityStories Blog - City Museums in the 21st Century</image:title>
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      <image:caption>Hilda Kozari's Air</image:caption>
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      <image:title>CityStories Blog - The Only Game in Town</image:title>
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      <image:title>Portfolio Pages</image:title>
      <image:caption>Americans today are still grappling with much unfinished business that has its roots in the European settlement of this continent. In collaboration with Michelle Moon, I am currently leading a multi-year interpretive planning effort at Historic Huguenot Street that attends to this unfinished business.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57cad6aa59cc6804d179f3bd/594936eb-4453-4a90-abaa-b373fb209bc5/HHS_planning+session.jpeg</image:loc>
      <image:title>Portfolio Pages</image:title>
      <image:caption>“I really appreciated the cultural sensitivity and relation of history to current issues.” —visitor feedback on a guided tour prototype</image:caption>
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      <image:title>Portfolio Pages</image:title>
      <image:caption>In 2022 The Frick Pittsburgh invited Michelle Moon and me to lead an interpretive planning effort to reimagine the visitor experience for Clayton, the Frick Pittsburgh’s Gilded Age Mansion. The result was award-winning.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57cad6aa59cc6804d179f3bd/b5be8fe0-3cfd-45e1-93b1-11cb0b2c49f3/Frick+Pittsburgh_ideating+copy.jpeg</image:loc>
      <image:title>Portfolio Pages</image:title>
      <image:caption>Michelle and I facilitated a year-long process of investigation, ideation, and prototyping with staff and advisors. We also provided professional development workshops, coaching, and capacity-building to the Frick Pittsburgh’s Learning &amp; Visitor Experience team and trained Clayton tour guides in the new approach.</image:caption>
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      <image:title>Portfolio Pages</image:title>
      <image:caption>"The tour was not romanticized; it was based on facts and reality. I really loved it. I have never been in a tour where the guide tells us exactly how things were during that time. We were so interested that we continued doing some research at home that evening.” —visitor Yesenia F.</image:caption>
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      <image:title>Portfolio Pages</image:title>
      <image:caption>Social science research shows that lifelong curiosity drives a raft of positive outcomes that we all seek as human beings: employment success, physical and mental well-being, creativity, and community engagement. How can museums increase curiosity in visitors of all ages?</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57cad6aa59cc6804d179f3bd/766817ee-c714-4c71-8bbe-c43ddd443e02/Rob+Bozell+Sharing+Objects.jpg</image:loc>
      <image:title>Portfolio Pages</image:title>
      <image:caption>”This investment in our staff has allowed us to define a common language, leverage curiosity internally and more broadly, build camaraderie to bridge silos, and embrace risk-taking.” —Jill Dolberg, Associate Director, History Nebraska</image:caption>
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      <image:caption>Using a new experimental model of creative strategic planning, Laura Roberts and I collaborated on a living plan for Cambridge Historical Society that resulted in a name change to History Cambridge, stronger organizational decision-making capacity, and a commitment to history in the service of social cohesion.</image:caption>
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      <image:caption>“Rainey is an amazing human and a dream to work with. Four years later, we still draw on what we learned during our strategic planning process every day.” —Marieke Van Damme, Executive Director, History Cambridge</image:caption>
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      <image:caption>“[Creativity in Museum Practice is a] veritable bazaar of ideas, activities, and references on creativity that will inspire museum professionals to open up, take imaginative risks, and develop their own methods for practicing in the creative spirit.” —Kathleen McLean</image:caption>
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      <image:caption>“This book was immediately applicable to my museum practice. A fabulous resource! Thank you for this guidance. I look forward to incorporating these ideas into all areas of practice.” —Amazon reviewer</image:caption>
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      <image:caption>This new, 4,600-square-foot museum in development in Augusta, ME, is dedicated to building greater knowledge about, participation in, and stewardship of the First Amendment, which protects our freedoms of speech, press, religion, assembly, and petition.</image:caption>
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      <image:caption>“This team worked through our ideas with warmth and care. As relative newcomers to the museum-making process, we felt like we were in good hands with partners we could trust as our project continued to take shape and change.” —Rebecca Lazure, former Executive Director, First Amendment Museum</image:caption>
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      <image:caption>“[The Active Collections book] had me cheering at times and tearing up at others—finally some of the visionaries in the field are expressing the direction my thoughts had been taking for a while.” —Amazon reviewer</image:caption>
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      <image:caption>Museums need a new model for collections stewardship. This is the core idea that animates my work with Active Collections co-founders Trevor Jones and Elee Wood.</image:caption>
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      <image:caption>Visitor Comments: “A great place for healing” “Thank you for holding us with care.” “Thank you for this closure. I truly needed it.” “This is my one outlet for my grief.” “I came thinking of myself and left thinking of you.” “I’ve felt so lost—now because of this I am found.”</image:caption>
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      <image:caption>“When coaching TED and TEDx speakers, we often emphasize that the most successful TED Talks aren’t merely presentations. They’re acts of sharing that combine authority and vulnerability. Rainey nailed both parts: authority in that she knew her material cold and was the only person in the world who could tell that story, and vulnerability in that she really lets the audience in and feel what it was like to live through such an emotionally charged assignment.” —Jimmy Guterman, TEDxBoston</image:caption>
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      <image:title>Where Does It Hurt?</image:title>
      <image:caption>Where is your organization feeling pressure? What does your staff need to be their best, most inspired selves? Let’s work together to develop a treatment plan that your museum will be excited about and eager to follow. Get in touch at raineytisdale@gmail.com.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/57cad6aa59cc6804d179f3bd/bf8b4caf-702f-4906-945d-47c7ba49e5f1/Attachment+%282%29.jpeg</image:loc>
      <image:title>Where Does It Hurt? - Museums have the power to help heal our social world. But museum systems, processes, and cultures sometimes need healing themselves. Inspired by the integrative approach of holistic medicine, I diagnose pressure points and prescribe small changes to bring your museum into alignment.</image:title>
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      <image:title>About - I am a museum consultant specializing in interpretive &amp; strategic planning, content &amp; collections curation, institutional capacity building, and igniting the creative process. My holistic approach to museum work has been called slow food, divining, poetry, and a secret weapon.</image:title>
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      <image:caption>“Rainey is the 21st-century conscience of history museums.” —Laura Roberts, @museumplanner</image:caption>
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